Time flows in one direction from past to present to future. Is eternity, on the other hand, essentially non-linear? Or is eternity simply time itself as we know it: linear, but with an infinite past and an infinite future?

Growing up in a Protestant, evangelical tradition, it was implied to me (though,  to be fair, never stated) that eternity is linear. With this view, eternity is simply the straight-line projection of time from infinity past to infinity future.

Yet, does not the Bible say that God created all things? Would this not include time? And if time is present from infinity to infinity, could it not be said that time contains God rather than God contains time? And if time contains God, can God really be said to be God?

As time has progressed, I’ve been introduced to other views about eternity. Views that are implied by biblical books such as Ecclesiastes. With non-linear views of “eternal time”, normal rules about cause and effect don’t necessarily apply. Time can ebb and flow and even loop back on itself again. With this, God could simultaneously touch two different circumstances on earth 1,000 years apart at the same time for him. Such a non-linear view of eternity might radically reshape views of predestination and prophecy. For example, the biblical picture of the Lamb of God being slain before the foundation of the world yet also being crucified on the cross at Calvary here on the earth about 2,000 years ago would only make sense with a non-linear view of eternal time, if that event was one and the same.

A recent movie that explores the possibilities of non-linear time is “The Time Traveler’s Wife”. In this film, a man is born with a genetic defect that makes him involuntarily travel through time. (Viewers of the film will have some issues with determining how old the time-traveler is at any given point in the film, by the way.) When he time-travels, usually to the past though sometimes to the future, he arrives naked without clothing (as per the Terminator movies and television series). So when he arrives, he has to resort to stealing clothes and then waiting for the next moment when he will travel through time again.

I see this as symbolizing the fall of Adam and Eve from the Garden of Eden. This time-traveler, like all of humanity, is forced again and again back to this terrible point in time: To the point where our progenitors recognized their own nakedness. Adam and Eve then felt compelled to make clothes for themselves (fig leaves). At that point, we feel compelled to resort to stealing and hurting others to provide for ourselves, rather than simply trusting in our heavenly Father for his constant provision, which was his original plan for all of us.

It is the daughter of Henry the time-traveler, Alba (which is a very rare name in the English-speaking world that means “sunrise” or “white”), who learns to control her time-traveling abilities by singing. After trying to sing, too, Henry gives up by saying tersely, “I can’t sing”. Yet, we know from the very beginning of the movie that he can sing, as he had sung with his mother, an excellent singer, when he was a young boy right before she died. Yet, like many of us, Henry (a common name that means “home ruler”) had lost the simplicity and innocence of childhood when he became an adult. After all, everything that can be spoken can also be sung. Yet to sing something requires reaching deeper into ourselves to something more emotional and primal. Singing speaks of love, joy, faith, and hope. And Henry’s and his mother’s deaths both come on Christmas Days, the day of the choir of angels in Bethlehem. So, the coming of Alba, who seems to be the only completely content character in the film, represents a new beginning for humanity (a new sunrise) where people can control their own destinies rather than be controlled by them.