The 2009 motion picture Avatar is the clear box office winner in the United States and elsewhere this past week. Set on the mysterious moon Pandora in the year 2154, the film chronicles the story of marine Jake Sully and his interactions with the native inhabitants of Pandora, the Na’vi, through his avatar body.

The film is getting the most attention for its fantastic special effects. Yet the symbolism behind the story is also worth paying some attention to.

Avatar borrows from the symbols and ideas of many spiritual traditions. The name Pandora, for example, comes right from an ancient Greek goddess. I’ll focus here on a few of the symbols that I found notable.

Harsh Disorientation. When Jake arrives on Pandora in his wheelchair, he is told more than once, and somewhat harshly, to watch where he is going. Colonial Pandora is place where the weak and broken must make way for the large and robotic. Other marines unkindly refer to him as “meals on wheels”, insulting him for his disability. (This is also an insult to the elderly: Many poor, elderly people in the United States depend upon the meals on wheels program to provide them with food.) They see Jake only as a liability and not as a asset.

Home Tree. The Home Tree is the home for an entire clan of the Na’vi. Symbolic of the Tree of Life from, the Garden of Eden which in turn may have represented the unity of all humankind in connection to God. This tree represents Edenic humankind: The way that the world should have been before things went terribly wrong. Yet the knowledge of good and evil lies beneath the Home Tree, the valuable ore Unobtanium. The symbolism of Unobtainium is obvious (“unobtainable”). Yet the promise of the serpent of the garden, that Adam and Eve would become fully like God was also ultimately unobtainable. The Home Tree represents earth and the temporal, whereas …

Tree of Souls. … the Tree of Souls represents the eternal. Once their earthly home was destroyed, the Na’vi can only retreat to the only place that they know where to go: to the Tree of Souls. This sacred place, where outsiders are prohibited, allows the Na’vi to reach out and touch their mother goddess and their ancestors souls via iridescent strands, which may symbolically be prayers (the natural touching the divine). The Tree of Souls is the place of finality.

Diplomatic Solution? The corporate leadership on Pandora has charged Dr. Grace Augustine with finding a “diplomatic solution” re: the conflict between the colonists and the Na’vi. Grace is a spiritual word and that spiritual emphasis is given more weight with the name Augustine, the great Christian theologian of grace. The word grace means a gift and, even more specifically, a gift that enables someone to do something. At first, it seems as though that gift is Dr. Augustine’s avatars, which might enable a peaceful, diplomatic solution to be found. But a diplomatic solution is not seen in the film as something good or as something that is merely better than war. Rather, it is viewed as an evil in itself: An unwanted displacement of a native people from their home. It is, to put it somewhat theologically, a cheap form of grace. It is not the real thing (the real enabling gift, “grace,” of the colonists to the Na’vi), but it only poses as the real thing. And notice how Grace cannot make the transition into her avatar body: She symbolizes a grace that is not able to bring about salvation. Victory and salvation are the ultimate grace, enabling gift, for the Na’vi.

Humankind Expelled from the Garden … Again. Like the expulsion of Adam and Eve from Eden (the eviction of humanity from the Garden of Eden), most of the humans are expelled from Pandora (a new Eden) at the end of the movie. The immediate cause of this expulsion was the loss of the battle to the Na’vi. Yet the deeper cause was the people’s failure to learn the ways of Na’vi on Pandora. This was because the colonists were more concerned with their provision and protection than with having genuine openness to others. This ending scene in Avatar symbolically confirms why Adam and Eve had to be expelled from the garden: They were spiritually out-of-touch with their Eden.

Adam and Adam. Jake Sully is only able to access an avatar because his identical twin brother had died a violent death. The first man (“Adam” in Hebrew) was shot just a few days before embarking on his mission to Pandora, his brother Jake, another man (in this case, the last Adam), who is of the same image and likeness of his deceased brother, inherited the job. (Notice how another character in the beginning of the movie says that the avatar body looks like Jake, yet Jake says that it looks like his brother. Also, remember how someone points out to Jake that he and his brother have the same genome, the same biological likeness.) The second man becomes the replacement savior and lord for Pandora after the first cannot complete that mission.

Fully Incarnated. The story of Avatar is, in reality, the story of a man, Jake Sully in this case, becoming fully mature. Jake (“Jacob”) Sully’s name may mean sullied trickster. Unlike the corporation’s leader, Parker Selfridge (“the selfish”), who is greedy and never matures, Jake changes from an immature young man (someone with a pure heart but acts like a small child; someone who is just a “poser” for his dead brother) into a mature man and then into a leader. He goes through ritual stages of rites of passage. Jake gets to the point in the middle of the movie where he cannot tell what’s the dream and what’s reality (his human life or his Na’vi avatar life). This is a hint to the movie goers that Jake is undergoing a fundamental change. The story ends with Jake becoming “fully incarnated” into his avatar body, leaving his human body behind forever at the Tree of Souls. He is then no longer an avatar but completely “one of the people”. Notice that this incarnational transformation occurs on Jake’s birthday, thus symbolizing a new birth.